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Book Talk
East Asian Auteurism, Cinephilia and the Media Platform Era: Film Authorship Rethought by Dr. Dorothy W.S. Lau
Date: Tuesday, 27 January 2026
Time: 15:30-17:00 (PST) | 18:30-20:00 (EST)
Virtual event via Zoom. In English
In this book talk, author Dr. Dorothy W.S. Lau (Hong Kong Baptist University) will examine how the platform-driven cinephilic engagement evokes a new imaginary of auteurs in East Asian cinema.
While East Asian filmmakers continue to provide world screens with vibrant and innovative works in recent years, their names and visions have been intensely scrutinised and renegotiated by global cinephiles on digital media platforms such as Facebook, Letterboxd, MUBI, X, and Bilibili.
The novel cinephilic experiences potentially problematises the authorial intent and structure legitimised by the traditional cinema, thus, challenging what film authorship means.
All are welcome. Registration required.
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Symposium
Backreading Hong Kong 2026 @ UBC: Everyday Life Reimagined
Proposal Deadline: January 23, 2026
Event dates: March 10–11, 2026
Venue: University of British Columbia, Vancouver
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About the Symposium
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“Backreading Hong Kong” is an annual symposium that brings together scholars, emerging and established, to share their humanities research and findings on Hong Kong and to ignite stimulating, rigorous discussion. The theme of its 2026 edition, “Everyday Life Reimagined,” carves out a site of exchange and dialogue between cultural representations and creative practices that are imbued with the potentialities of critical reflection and reinvention.
This symposium aims to explore the power of imagination and the possibility of creativity in cultural texts and practices in reflecting on paradigms, boundaries, and subject-object positionings and (re-)thinking with non-human actors, precarious subjects, and historically marginalized communities (in relation to gender, race, sexuality, ableism, age, social-economic background, etc.).
We invite scholars, artists, writers, and translators to share their cross-disciplinary humanities research and findings on Hong Kong-related topics through the use of diverse methods and approaches, including but not limited to case studies, comparative approaches, critical discourse analysis, theoretical engagement, textual analysis, and cultural practices. |
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Topics
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We welcome proposals from scholars across disciplines (literature, cinema, media, translation, history, cultural studies) that engage critically with the theme “Everyday Life Reimagined.”
Topics may include, but are not limited to:
– Human and nonhuman agency and relation
– Dealing with precarity (e.g., minoritized and marginalised subjects)
– Dis-/Re-enchantment and the practice of everyday life
– Intersections of race, gender, class, and language
– Adaptation across media (from book to screen, and beyond)
– Collaborative practices and productive imagination in the arts |
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Submission Details
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Please send a 250-word abstract outlining your paper’s main argument, methodology, and contribution, along with a short biographical note (max 150 words) to Dr. Helena Wu (helena.wu@ubc.ca), Dr. Tammy Lai-Ming Ho (tammy.poetry@gmail.com), and Dr. Chris Song (chriszj.song@utoronto.ca).
Proposal Deadline: January 23, 2026
Selected participants will be invited to present at the in-person symposium held at the University of British Columbia, Vancouver.
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[UBC x Jade Music Fest 2025] Panel: Multilingual Music in Taiwanese Indie Scene
November 5, 2025: The UBC Hong Kong Studies Initiative, in collaboration with Jade Music Fest 2025 and with support from UBC Asian Studies and UBC Green College, hosted the in-person panel “Multilingual Music in Taiwanese Indie Scene”, featuring musicians HoNi 好日, Shu Chan Chiu 邱淑蟬, and Shallow Levée 淺堤 as guest speakers who shared their insights into the use of Hakka and Taiwanese languages in the creation of music (photos).
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Please kindly consider a tax-deductible donation to HKSI (support.ubc.ca/hksi). Thank you, as always, for your support of the UBC Hong Kong Studies Initiative.
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