April 23, 2018 Hosted by the Department of Asian Studies, the Hong Kong Studies Initiative (HKSI) at the University of British Columbia is devoted to promoting the teaching and research of this most-improbable metropolis, both as an extraordinary Chinese city and as a spectacular international and transnational hub. |
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Dear Friend of HKSI, The Winter term might be winding down, but the UBC Hong Kong Studies Initiative is still going strong. We look forward to seeing you in our upcoming events, whether in Hong Kong where HKSI is (so to speak) on a road show or back in Vancouver’s very own Chinatown. . . . |
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Dr. Leo K. Shin will be speaking on Hong Kong studies at the following events: |
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Saturday, 28 April 2018, 11 am |
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Friday, 4 May 2018, 7:30 pm |
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Saturday, 5 May 2018 |
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Tuesday, 8 May 2018, 7 pm (doors open @ 6:30 pm) A City Inscribed event In 2009, when the idea of producing a documentary first emerged, Ye Si 也斯 (pen name of Leung Ping-kwan 梁秉鈞, 1949–2013) offered this suggestion: “If you want to understand me, you should get acquainted with my friends. You will find part of me in each of them.” And thus began an exploration—through the eyes of academics, writers, artists, fashion designers, food connoisseurs, as well as Ye Si’s family—of an extraordinary literary life, a journey that was intricately linked to the cosmopolitanism that was, and is, Hong Kong. Dr. WONG King Fai is an award-winning film director, screenwriter, and novelist. He is the director of 1918 and Boundary, which document, respectively, the literary lives of Liu Yichang (1918–) and Ye Si (1949–2013), two of the most-celebrated writers of Hong Kong. Dr. Wong’s screenplay for the film Life without Principle (2011) has garnered a number of prestigious awards, including the Best Original Screenplay (the Taipei Golden Horse Film Festival and Awards), the Best Screenwriter (Hong Kong Film Critics Society Awards), and the Best Screenwriter (Chinese Film Media Awards). Dr. Wong has published two collections of short stories and is Chief Editor of the series “Literature and Cinema” (Hong Kong University Press). Dr. Wong has been named the 2018 Best Artist (Arts Criticism) by the Hong Kong Arts Development Council. This community screening is organized by UBC Hong Kong Studies Initiative and co-sponsored by Dr. Sun Yat-Sen Classical Chinese Garden, Chinese Canadian Writers’ Association, Vancouver Hong Kong Forum Society, Youth Collaborative for Chinatown, Vancouver Asian Film Festival, Ricepaper Magazine, LiterASIAN Festival, explorASIAN/VAHMS, PCHC–MoM Society, and Institute for Transpacific Cultural Research (SFU). |
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Saturday, 12 May 2018, 2 pm A City Inscribed event How has the literature and cinema of Hong Kong responded to major transformations? In particular, how have the upheavals associated with the 1967 riots and the 1997 handover been marked by the literary and the visual? Come join Dr. Mary Shuk-Han Wong of Lingnan University and award-winning director Dr. Wong King Fai for a conversation about the past and present of Hong Kong literature and cinema. Dr. Mary Shuk-Han WONG is an associate professor in the Department of Chinese at Lingnan University, Hong Kong. She has published widely on film and literature. She is the author of Feminine Writing: Cinema, Literature and Everyday Live (2014) and Hong Kong Cinema: Writer, Literature and Cinema (2013). Major edited works include the “Hong Kong Literature and Culture of the 1950s” series (2013) and the “Hong Kong Literature and Culture of the 1960s” series (2018). She is also a novelist and essayist. Major creative works include Against the Grain (2017), From Kafka (2015), and an award-winning collection of short stories, Surviving Central (2013). She is also the co-producer of the documentaries 1918 (2015) and Boundary (2015). An edited anthology, Hong Kong 1960s, is scheduled to appear in June 2018. Dr. WONG King Fai is an award-winning film director, screenwriter, and novelist. He is the director of 1918 and Boundary, which document, respectively, the literary lives of Liu Yichang (1918–) and Ye Si (1949–2013), two of the most-celebrated writers of Hong Kong. Dr. Wong’s screenplay for the film Life without Principle (2011) has garnered a number of prestigious awards, including the Best Original Screenplay (the Taipei Golden Horse Film Festival and Awards), the Best Screenwriter (Hong Kong Film Critics Society Awards), and the Best Screenwriter (Chinese Film Media Awards). Dr. Wong has published two collections of short stories and is Chief Editor of the series “Literature and Cinema” (Hong Kong University Press). Dr. Wong has been named the 2018 Best Artist (Arts Criticism) by the Hong Kong Arts Development Council. This community talk is organized by UBC Hong Kong Studies Initiative and co-sponsored by Centre A, Chinese Canadian Writers’ Association, Vancouver Hong Kong Forum Society, Youth Collaborative for Chinatown, Vancouver Asian Film Festival, Ricepaper Magazine, LiterASIAN Festival, explorASIAN/VAHMS, PCHC–MoM Society, and Institute for Transpacific Cultural Research (SFU). |
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Mar. 7 Prof. Kwok Kou Leonard Chan (The Education University of Hong Kong) offered a wide-ranging lecture on the enduring influence of the Cantonese opera "The Flower Princess” (webcast in the work) Mar. 9 Students (and teachers!) rocked the AMS Nest in the first-ever UBC Cantonese Singing Contest |
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Thank you, as always, for your support of the Hong Kong Studies Initiative. Sincerely, |
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